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Michael DeVita
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Welcome to our site
StonePark Productions is a multi-discipline film and video production house located in the Washington, DC metropolitan area. Our core goal is to imagine, design, and create worlds from script to screen. StonePark Studios is designed to handle everything from concept art to large scale set builds. Our founders, being interested in all aspects of film making, have designed a studio that can handle most things under one roof.
Some of our core areas of expertise:
StonePark Productions is a multi-discipline film and video production house located in the Washington, DC metropolitan area. Our core goal is to imagine, design, and create worlds from script to screen. StonePark Studios is designed to handle everything from concept art to large scale set builds. Our founders, being interested in all aspects of film making, have designed a studio that can handle most things under one roof.
Some of our core areas of expertise:
StonePark Productions is a multi-discipline film and video production house located in the Washington, DC metropolitan area. Our core goal is to imagine, design, and create worlds from script to screen. StonePark Studios is designed to handle everything from concept art to large scale set builds. Our founders, being interested in all aspects of film making, have designed a studio that can handle most things under one roof.
Some of our core areas of expertise:
StonePark Productions is a multi-discipline film and video production house located in the Washington, DC metropolitan area. Our core goal is to imagine, design, and create worlds from script to screen. StonePark Studios is designed to handle everything from concept art to large scale set builds. Our founders, being interested in all aspects of film making, have designed a studio that can handle most things under one roof.
Some of our core areas of expertise:
When those three words pierce the inky darkness of a theater, it signals the collaborative spirit of like-minded artists who have come together to realize a singular passion for telling compelling stories on screen.
Employing a global network of talented artists, StonePark is capable of taking films from development all the way to distribution, spanning every phase of production entirely in-house.
Crafting a strong script as a blueprint for production is essential,
enabling our team to then build upon that solid foundation with conceptual designs and visualizations that pave the way for set construction and, ultimately, principal photography. From there, we oversee editing, visual effects, and sound design, assembling all
the pieces to create a stirring narrative.
It's our belief that a powerful film with ambitious scope shouldn't have to be produced within the traditional "box" that is Hollywood. And we're going to prove it.
StonePark is focused on becoming the largest motion picture production company on the East Coast, handling design, production, and distribution of top quality films all under one roof.
With individual strengths that perfectly complement one another, coupled with a mutual love of writing, David A. Melendez and Michael DeVita encourage StonePark's community of artists to succeed by
seizing the same principles of collaborative teamwork that have led two childhood friends to work together in numerous successful ventures and never let their dream of filmmaking slip from sight.
CLICK HEREfor a detailed look at the art contributing to the design of this site.
David A. Melendez - Founder & CEO
Adept at implementing complex business strategies, David served for ten years as CEO of a real estate development firm he founded. His ability to maintain the flexibility needed to nimbly alter course when necessary led him to weather the real estate
crisis.
That experience has helped immensely in his pursuit to make films. “A lot of the real estate practices I learned—managing crews, negotiating
deals, construction—apply directly to moviemaking,” he says. “I have a great deal of respect for real estate. It’s allowed me to finance our films and other ventures.”
Although he’s fervent about the artistry of filmmaking, he also maintains a
practical perspective. “It’s extremely important that StonePark is a financial success,” he says. “The goal is to build a strong infrastructure, providing jobs and opportunities for others, while positively contributing to the economy.”
A mentor
and leader in the D.C. film and entertainment community, he sits on the board of directors of the DC Independent Film Festival as vice chair. He is also an avid crypto investor.
David acts as strategist and producer at StonePark.
Michael DeVita - President
Recognized as a stunning visualist and innovator, Michael is an award-winning filmmaker who boasts a deep range of skills that span writing, directing, editing, engineering, visual effects, and 3-D design.
He oversees StonePark’s in-house post-production facility, and has utilized his technical prowess to found SP Mechanics, where he designs and develops proprietary camera stabilizers.
In fact, others have observed that his own personal mantra
should be, “If I don’t have it or it doesn’t exist, I’ll just build it”—a tendancy that has been in play since childhood. “When I was eight, my dad brought home this VHS camcorder,” he says. “I did in-camera visual effects and stop motion. I’d strap
it to my Big Wheel and build underwater cases. I pushed that camera to its absolute limit.”
If his successes share a single common trait, it’s focused precision. At the outset of a project, he always works hard to study and distill its most vital
component, then builds from there. In the case of filmmaking, that’s story. “It’s everything,” he says. “I don’t care how much money you pump into a film—bad script, bad film.
Michael acts as innovator and director at StonePark.
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Robot 7546 - Reventlov
Muhammad Firdaus, Concept Artist
Collossus
Alector Fencer, Concept Artist
Desert Winds
Andreas Rocha, Concept Artist
Fields of Gold
Andreas Rocha, Concept Artist
Dragonfly Robot
Vladyslav Ociacia, Concept Artist
Zarnista
Max Bedulenko, Concept Artist
Ballpaper
Dan Kuzmenka, Concept Artist
Enchanted Forest
Andreas Rocha, Concept Artist
Homecoming
Andreas Rocha, Concept Artist
Bionic Music Robot
Vladyslav Ociacia, Concept Artist
AWARDS
DC Independent Film Festival
Best Feature Film
Garden State Film Festival
Audience Choice Award
Garden State Film Festival
Audience Choice Award
Maryland Int. FIlm Festival
Best Local Film
The Alhambra Theatre Film Festival
Best Actor
Audience Choice Award
Best Feature Film
Nova Film & Music Festival
Best Inspirational Film
Best Action Choreography
Tupelo Film Festival
2nd Place Best Feature Film
WorldFest Houston
Platinum - Best Feature Film
Best 1st Time Director
Best Actor
Albuquerque Film & Music Experience
Best Feature Film
World Music & Independent Film Festival
Best Screenplay
OVERVIEW
MEMBER BENEFITS
EARN POINTS
USE POINTS
PURCHASE POINTS
We are excited to offer members a chance to participate in our Rewards program. Rewards serve as the utility on the StonePark platform – giving members exclusive access to our Studio.
Key Features:
StonePark will gift to contributors with purchase of STONES
Members can earn through participating in StonePark activities
Members can purchase separately
Members can transfer to other members
Follow the link for more reward specific details on the TOKEN SALE
Getting films produced and distributed, while maintaining creative control is one of the hardest obstacles for an independent production.
Producers don’t have the capital nor resources to develop projects, investors don’t understand how the money is spent and studios are forced guess what projects are marketable.
Book adaptations, remakes and brand names are the crux of the movie system. But what if screenwriters, artists, producers, directors, actors, investors and movie fans all over the world come together on a project?
They would create a movie with a built-in fan base – cutting the “guessing” part out.
DrawBridge Live will revolutionize the way films are developed, produced and distributed. By connecting filmmaker, fan, investor and studio –
the platform serves as a conduit between parties allowing all the steps of the movie making process to become more accessible, transparent and efficient. Utilizing smart contracts via blockchain technology –
DrawBridge Live will document all content, connections and contributions ensuring zero discrepancies between parties. Projects on the platform will have access to a studio and distribution channels via StonePark Productions, StonePark
Studios and/or other studios and distribution companies that want to participate. The mission is to DREAM – BUILD – CONNECT; providing visual content the world wants to see.
At StonePark, we strive to bring the highest production values to visual mediums, and that’s the reason we’re now offering our world class team of artists to produce conceptual designs for production houses of all sizes.
It starts with a vital question to our clients: “What do you want this scene to convey to an audience?” That’s because concept art is essential in not only establishing the mood and lighting of key scenes, but also shaping an entire production.
Under the guidance of award-winning creative director Michael DeVita, our artists will work with you from sketches to rough compositions to final render, striving to bring a single collective vision to your project.
Please click Services for more information.
Characters
Environments
Vehicles
Weapons & Props
Storyboards
Illustrations
Memorable characters make great stories. They’re the gatekeepers who allow entry to your audience. Character exploration begins with simple sketches aimed at developing proportion and clothing design. For CGI characters, our artists will design
a “Mood Spread,” demonstrating the multiple facial expressions a character is capable of conveying. Clothing details, textures, and props are then incorporated. This could include anything from jewelry to weapons. We also offer our clients
a “Positions Spread,” a tool that shows the character in multiple dynamic positions.
The first step to keyframe and environmental shots is determining the message being conveyed to an audience. Once this is established, multiple sketch compositions are created. When a design is locked down, our artists block in lighting and mood, where
multiple color palettes are presented. We consider lighting and color extremely important, as it can be used to establish the entire look of the production. Next, our artists add details that make the scene pop before final render. As with all concept art,
the level ofdetail can vary from quick sketch to photorealistic, depending on time and budget.
Before making a vehicle or any mechanical device look top-notch, we need to make sure its functionality is logical. Its mechanics and technology need towork in the real world, to ensure we’re producing a product that’s both convincing and feasible. We’ve
developed underwater crafts, spaceships, futuristic motorcycles, and many more. Vehicle design usually starts with a list of its abilities and the environment it will travel in. From here, we block out designs and color palettes. Our vehicle designs can be
created in full 3D, traditional 2D media, or both.
With proper design of complex props and weapons, film productions can save many hours on prop development and fabrication. Our designs will serve as a blueprint for artists to build in the real world or 3D. Prop design starts in the form of B&W thumbnail
sketches, which saves time and gives the production fresh ideas and a variety of choices. Multiple iterations can be produced from quick color sketches to detailed drawings, as well as blueprint designs filled with measurements. Props and weapons consist
of many items such as shoes, boxes, jars, specialty clothing, future machine guns, 1800s sidearms —virtually anything you can think of.
Black and white storyboards can be useful and aid in production, while more detailed color illustrations can help establish lighting and mood. Working in tandem with environment and keyframe shots, storyboards can help develop the look and feel of the
production. Storyboard development requires our team to work closely with the script, writers, and director to help
convey the vision properly.
In general, our illustrations lean more towards the cartoon/comic book look. If not used specifically for a comic book style, illustrations are a great time-saving tool. Speed sketches can be quickly developed to establish look, mood, and overall feel of
characters and other scene elements. We normally offer this in digital form, but also have the capacity to create in a traditional pencil and ink finish.
All projects start with the director’s vision. We ask our clients, “What is this scene trying to convey to its audience?”
The art director and key production personnel will brainstorm with clients before any sketches are commenced. The goal is to bring the team to a central vision. Next, we focus on rough composition of shots, moving back and forth between client and
artist with the purpose of establishing perfect composition.
Concept art will be used to help establish mood and lighting of key scenes. Lighting and color design is a critical step in the process and can help build the entire look and feel of a project. The last step is to produce a final render with all details
in place.
StonePark
School of Visual Effects & Design
Matte Painting 101
Explore the world of design by starting with the basic rules.
This course introduces the axioms of what makes an attractive design. Marco will show you the foundations of design he learned over the years. This course explains the basis of concept art illustration, it is recommended to students wanting to improve their use of shapes,
research, and thinking when it comes to good design.
Upon completion of this course the successful student will a new understanding of shape design, and form language suitable for concept art and illustration.
Students will need their own laptop or digital tablet to fully benefit from this live class.
Post-production is the point when all the puzzle pieces are assembled into a final, cohesive narrative. Like everything along the way, it entails a tremendous amount of planning, something that begins long before the camera even rolls.
Unlike many independent production companies, StonePark is capable of handling virtually everything in-house, ushering a film all the way through the six major phases of post-production: editing, sound effects, music, visual effects, mixing, and color grading. And we do so with the determination to always keep an audience immersed in the story of the film and not distracted by technicalities.
Below is a look at the expertise provided by StonePark's team of talented artists.
This is the process of taking the raw data handed over by production and turning it into a linier flowing story. Logging dailies, editing dialogue, action and montage sequences into a seamless story is the editor's responsibility and passion. Creating visual tension and rhythm are critical skills an editor must posses. As a full-service production company, we live by those guiding rules. Being involved in every stage of production allows our filmmakers to collaborate with editors to create a single vision.
A good edit should go completely unnoticed. You could even say an editor's job is thankless. If done correctly you would never even know they were there. This may sound discouraging, but it is what an editor will strive to accomplish. Good edits match eyelines, frame composition, lighting and sound so seamlessly they will go completely unnoticed. This is critical to keeping an audience immersed in the story and not the technicalities that made it.
Visual effects, in short, are the manipulation of images through practical or digital means to create something that never was or never could be, giving filmmakers the ultimate license to let their imaginations run free.
Although the processes have come a long way since the late-1800s when effects were performed primarily in camera, the goal today remains the same: to combine two or more elements of film into a single image. Propelled to new heights in recent decades by pioneering filmmakers like George Lucas and James Cameron, visual effects are now by and large digitally created. It could be something as simple as removing an unwanted sign, or something as complex as constructing the attack of an alien armada.
Our sister company, StonePark Studios, has been designed from the ground up to tackle the rigors of visual effects, melding the skills of artists with the technology required to make their visions a reality. From previsualization, when complex shots are laid out with illustrations and animations, to final compositing, when all the artistry of modelers, motion trackers, matte painters, and lighting technicians are assembled into a single clean shot, we're dedicated to making certain visual effects only serve to enhance the story, not distract from it.
Often overlooked by filmgoers because, at its very best, it doesn't call attention to itself, good sound design is essential for taking you out of reality and dropping you right in the middle of a cinematic moment.
Imagine, if you will, watching your favorite film with no sound. No epic score heralding the hero's arrival. Gun barrels flashing, but no bangs and pops. A Tyrannosaurus rex lurching toward you, but no thumps of its feet. No body-rumbling bass as it roars.
Sound design isn't just about twisting a volume knob. The majority of sounds you hear in a film are added in post-production. Moving feet, gunshots, slamming doors, hissing wind, traffic, even dialogue, and, of course, music all are generated and layered in by artists and engineers who must then match them seamlessly to the images on screen. When done right, the sounds will go completely unnoticed, blending with the visuals and strengthening the storytelling in untold ways.
At StonePark, sound is considered fifty percent of a film. The process begins in pre-production, where the aural impact of scenes is determined. That planning is then put into practice during post-production by our full service facility, which includes Foley, effects creation and recording, automated dialogue replacement, and mixing.
Color Grading
Although much of the look and feel of a film is created on set with art direction, lighting, and cinematography, color grading is applied during post-production to give scenes consistency through color correction, as well as communicate atmosphere via artistic coloring effects.
Conveying emotion through the camera lens is one of the pillars of compelling filmmaking. Color grading can emphasize that, not just by enhancing a scene's overall mood, but by also controlling the audience's point of interest, influencing emotional tone by accentuating where the dramatic focus should lie within a frame.
It brings a unified look and feel to scenes, correcting over- and under-exposed shots, repairing shots damaged due to excessive noise, and matching shots that have a variance significant enough to pull one out of the drama of a scene.
StonePark stands by the idea that what you see on the theater screen should be precisely what the director envisioned. That's achieved only through a clear line of communication, one that starts at the very beginning when we work closely with the production team to cut post-production costs by helping design lighting, wardrobe, and sets with a final color strategy in mind.
StonePark is equipped to handle all formats currently available, including 2k, 4k, R3D, DPX, and Open EXR.
DI and VFX hand off Uncorrected DPX or raw files with EDL
Sequence is ingested into our systems
Any original LUT's or "Looks" are applied
Preliminary looks are created and locked down
Full film color correction completed
Final deliverable handed off to client
Expanding the images dynamic range
Repairing damaged shots do to excessive noise
Fixing over or under exposed shots
Shot matching
Controlling viewers point of interest
Setting tone and feel for your film
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MEN AND MOUNTAINS
PROJECT STATUS: DEVELOPMENT
STORY SYNOPSIS
Ripped away from his younger brother and banished as a boy to a distant land, Alex Grey returns home ten years later to face the man responsible for his exile: his brutal, corrupt stepfather. Harnessing his inner demons, he becomes an unlikely hero whose far greater mission is to save the city he was forced to leave behind. He's no longer the boy he once was. He's more now. Much, much more.
CAST
TBD
PRODUCER
David A. Melendez
DIRECTOR
Michael DeVita
STONEPARK'S CONTRIBUTION
Still in active development,
Men and Mountains is actually director Michael DeVita and producer David A. Melendez's first conceived film, fueled by their love for martial
arts and classic underdog stories. It's currently scheduled to be StonePark's third feature, going into production after the release of
Deor.
Artists and model makers have already begun conceptual design. Scheduled to shoot in nearly
sixty locations in the United States and remote areas of Tibet, the film will also feature thirty-two large sets, including a mountain side, interior train cabs, shipping boat deck, large Asian street market, an intricate network of sewer tunnels,
and a dilapidated, full-sized home designed specifically for a major gunfight.
Men and Mountains is designed to be an exhilarating experience. It's an action-packed, yet moving film about love, loss, and triumph.
ONE PENNY
PROJECT STATUS: AVAILABLE ON VOD
STORY SYNOPSIS
Dylan (Harrison Sammuels), left abandoned at a young age by tragic misfortune, is taken in by a caring homeless man (Carson Grant) who helps shape him into a street-smart maverick. With the odds stacked against him, the teen fights to bring hope to his community, but that better future he yearns for is thrown into doubt when the realities of his past collide with a chilling secret.
CAST
Harison Sammuels - Carson Grant - Will Roland
Ben Rezendes - Erin O'Brien
PRODUCER
David A. Melendez
DIRECTOR
Michael DeVita
AWARDS
DC Independent Film Festival - BEST FEATURE FILM
Garden State Film Festival - AUDIENCE CHOICE AWARD
WorldFest Houston - PLATINUM - BEST FEATURE FILM
Albuquerque Film & Music Experience - BEST FEATURE FILM
See more on One Penny official website
STONEPARK'S CONTRIBUTION
The acclaimed
One Penny is StonePark's first produced feature film. With a talented production team guided by director Michael DeVita and producer David A. Melendez, and boasting
a cast of eighty-plus actors, the film won fifteen awards on the festival circuit, including multiple Best Feature and Audience Choice awards.
From concept art and mock-up models that not only bring the director's vision to life, but also ensure a level
of preparedness essential to a smooth and on budget shoot, to sound design and visual effects, One Penny aptly demonstrates the full spectrum of StonePark's capabilities. Shot in forty-three days, all aspects of production were
handled in-house.
One large practical set, the homeless village known as Shepherd's Cove, was constructed in rural Maryland, consisting of two hundred makeshift shell homes with three having fully functional interiors. The village was
then extended digitally, one of seventy-six visual effect shots completed by StonePark Studios for the film. Other effects included multiple sign replacements, numerous license plate removals, muzzle flashes, bullet impacts, wire removal, and a
set extension to create a stunning nighttime cityscape.
The film features an original score by composer Danny Gray, with all additional sound design, including sound effects and automated dialogue replacement, completed by StonePark.
Once the film completes its theatrical run, it will be available on iTunes, Amazon, and Blu-Ray January 1st, 2018.
BEHIND THE SCENES
PROPS
VFX
One of the most significant visual effect shots in the film involved the homeless village known as Shepherd's Cove. Click to see how StonePark Studios took a large practical set and extended it to dramatically increase the location's impact.
CLOSE
DEOR
PROJECT STATUS / DEVELOPMENT
STORY SYNOPSIS
A former New York City police detective, already haunted by a devastating tragedy in her past,teams with a seasoned FBI agent to investigate the mysterious disappearance of a small town girl. Surrounded by the town's superstitions of a mythical beast that preys on the wicked, the detective finds herself inching closer and closer to a dark, sinister truth one that is even more terrifying than the hushed whispers suggest.
CAST
TBD
PRODUCER
David A. Melendez
DIRECTOR
Michael DeVita
WRITER
Troy Widner
PRESS
STONEPARK'S CONTRIBUTION
Currently in pre-production, Deor will be StonePark's second feature film developed and produced entirely in-house. Drawing from such inspirations as Seven, True Detective, The Silence of the Lambs, and Split, the project blends all the hallmarks of an intense crime thriller with elements of horror and character-driven drama.
BRINGING THE BEAST TO LIFE
Slated to begin principal photography in summer 2018, StonePark is focused on securing top talent to help bring the world of Deor into terrifying existence.
StonePark's team of designers are busy realizing the film's locations, most notably the fictional small town so essential to the story's core, described in the script as "spawned from the brushstrokes of Thomas Kinkade, his calming, pastoral hues swept across a now-obscured, underlying layer of murky darkness formed from Ivory Black and Burnt Umber. In addition to the town's idyllic Main Street, other set pieces include a claustrophobic underground mine, and the shadow-cloaked woods surrounding the town, where a mysterious evil lurks.
Additionally, the film will feature a seamless mix of practical and visual effects, with StonePark artists already preparing models and miniatures, and a full-featured "creature shop", hard at work creating gruesome, mauled corpses, as well as the film's titular beast, which evolves dramatically in appearance as the story unfolds.
StonePark is raising capital through qualified investors both in the United States and abroad. Our goal is to be one of the largest studios on the east coast in the United States.
Separate from our Token Sale – participants in this round of funding will have equity stake in the Company.
An Investment Opportunity In a New Revolution
StonePark is raising capital through qualified investors both in the United States and abroad. Coupled with our Token and Rewards program, investing in StonePark will make you a part of a revolution in the filmmaking world.
For more information on our Rewards Program.
Some basic rules
Under federal securities laws, any offer or sale of a security within the U.S. must either be registered with the U.S. Securities and Exchange Commission (SEC), or meet an exemption. StonePark has applied for an exemption under Regulation D
(Reg D) of the Securities Act, allowing profit sharing rights to any investor who is considered accredited. The term “accredited investor” is defined fully in Rule 501 of Reg D.
StonePark will also be conduction a Token sale under Regulation A Plus (RegA+). This opportunity will be available to anyone in the world. This is a separate offering and require our Tokens to also be registered with the SEC
as a security. Please see our Token page for more details.
Investor Prospectus
Here investors can see the power to becoming an equity holder in StonePark. Our prospectus outlines the company’s five-year plan – giving an inside look on how StonePark will revolutionize the film model, while being profitable.
Registration and completion of KYC/AML for is required to view.
If you’re an interested, please register and fill out the required KYC/AML application on your profile page.
For more details please see our Terms Sheet.
Total rasied
Current value
ETH0
USD$0
Tokens created250,000,000
Tokens availible125,000,000
Current STONE Price$0.10
PRE-SALE ENDS IN COMING SOON
Must be REGISTERED to contribute
We accept ETH only
LAST UPDATED: COMING SOON
“DrawBridge Live will redefine the way films are made. Imagine a completely transparent platform - giving creatives, fans and investors access to each other with one common goal in mind.”
~ David A. Melendez
FOUNDER / CEO
50%
Public Offering
125,000,000 Stones
15%
Team
18,750,000 Stones
30%
Development
37,500,000 Stones
5%
Reserves
6,250,000 Stones
New to token sales?
Don’t worry – StonePark has you covered!
A token sale - also known as an ICO (Initial Coin Offering) or STO (Security Toekn Offering) is an event where a company sells its own cryptocurrency (tokens) to early participants and enthusiasts such as yourself.
Usually there is a pre-launch or a countdown to when the tokens will be up for sale. During this time the company promotes their project to the world – creating awareness and educating why a project like theirs is needed.
Companies can be in all phases of development – from a concept/idea to already producing product.
The majority of Token Sales raise money via Bitcoin, Ether and other cryptocurrencies. The money raised from the sale of tokens will be used to fund the company’s project. Based on the company’s strategy tokens will have a utility or security value.
In StonePark’s case – token holders (STONE Holders) will have access to both.
STONES will be classified as a security (STO) being registered with the Securities Exchange Commission via "Regulation A". STONES are an investment instrument and will give holders to participate in quarterly profit sharing.
REWARDS will have a utility function (Seen on most ICOs) - where holders will have access to exclusive utilities. Some examples: a behind the scenes tour of a live production, a speaking role in a movie or tickets to a world premiere.
Tokens may have the opportunity to be traded on 3rd party exchanges – this varies from token to token. Similar to stock exchanges, token holders can cash in or trade their tokens.
As a potential participant we suggest you:
Have an invested interest in the industry the company is involved in
Understand the problem the company is solving in the industry and its importance
Believe the company can and will execute their plan of action
PRODUCTION CREW
David A. Melendez
Founder/Co-CEO
Michael DeVita
Founder/Co-CEO
Francis Koh
Legal Counsel
Kenneth N. Caldwell
Legal Counsel & SEC Regulations
Daniel Erichsen-Teal
Business Development Manager
Elliot Manson
Digital Strategist
Misty Meyer
DBL Developer
Lisa Steinberg
Conceptual Artist
Francesca Bacigalupo
Media Coordinator
CORPORATE WHITEPAPER
In the exciting-rapidly growing cryptocurrency space, Whitepapers are a detailed guide to inform interested parties about a company’s project. It’s a vital part of a company’s Token Sale and you will never see a one without it.
In most cases there is an industry problem that needs to be fixed or corrected. Whitepapers identify that problem and showcase a solution. Filled with research, analytical data, roadmaps, financials, team members and strategies - readers will
develop an understanding of the company and its project.
Sounds a little intimidating, right? Don’t worry, being a movie studio – StonePark prides itself to entertain and have fun! Our whitepaper reads like a script, while being informative and transparent all at once.
USER GUIDE
Not quite sure how to get started? This is the resource you are looking for. We’ve created a simple – easy to use – guide to help navigate you through our Token Sale. Like a film, this site has many components working at the same time to make a seamless product.
The interesting thing about StonePark is we are already a viable entertainment company with projects in development. It’s important that you not only participate in our Token Sale but understand how to use the tools on the site, so you can enjoy all the perks and benefits
of a movie studio.
The document will give you a step-by-step process of how to create an account, complete your KYC/AML forms, setup an ETH wallet, purchase STONES and REWARDS points and show you how to use them.
PRESS & MEDIA
~
"Their first film on a shoe-string budget won 15 awards. Don't look away from these guys, they are coming in hot."
- Tom Goodwill - Forbes
"When I first saw this the only thing I thought was. What an awesome idea! This is the company to watch in 2018."
- Kristian Mills - CoinDesk
Initiate concept – creating film and digital content from development to distribution. Assemble team to further develop its core ideas and functionality.
Distribute via StonePark in theaters and VOD. Make available on iTunes and Amazon platforms.
Allow users to login and monitor their assets as well as participate in the StonePark community. Apply for Reg A+ in preparation for Token Sale.
STONES and REWARDS points will become available to all qualified contributors.
Commence project with finalized design and team. Attend major film festivals to acquire films and development material to use on platform.
Focus group testing to assure platform stability. Use recently acquired content during testing phase. (5-10 film projects).
Release projects under DrawBridge Live’s distribution arm. Allow REWARDS holders to interact with projects utilizing the utility value of the platform.
Integrate contribution capabilities within DrawBridge Live platform. Set up separate Reg A filings for each project – enabling tokenization.
Open to all! Integrate other major film studios and distribution companies to participate - creating an open-source platform.